New Album “After 1989”
30 years after the opening of the Berlin Wall, it’s time to tell the tale of how a young man managed to escape Germany in 1945, while his grandson made the other way round in 1991, looking for answers that he could only find in 2017.
“Minutes to Midnight’s album is magical and haunting, giving the listener a way to both experience and reconcile the horrors and joys of the past; a journey of choices and consequences, a path of emotional growth.Rosa Nadine Sánchez Xochimilco
It is at once rock opera, gothic melancholy, family legend, and historical account, all blending together to create an album unlike any other.”
“Skinny Kid is a tender delicate number as Simone expresses emotional and harrowing themes through a bitter, icy piano and tense progressive soundscapes. With a steady beat pounding through weaving guitars and ominous rumble on bass, the track projects images of isolation and loneliness by means of sinister chilling twinkles and tender vocals. The haunting backing vocals and lamenting pines on guitar have a chilling element as Simone portrays this harsh experience with sublime instrumentation and vivid musicianship.”Indie Buddie
Summer, mid-eighties. During a family dinner, after a glass too many, my grandfather let a story slip from his past. He told us how fascists captured and sent him to Germany, where he spent four years in Sachsenhausen concentration camp, on the outskirts of Berlin.
The Nazis spared his life because of his craftsmanship as a shoemaker. In April 1945, a few days before the Allies stormed into the city, he managed to escape with a fellow Russian inmate. They crossed Europe and came back home.
I grew up during the Cold War, obsessed by a shared feeling of impending doom. My very first trip was to Prague and Berlin, a few months after the collapse of the Wall. I watched a divided city as it still was, but didn’t dare to visit the camp. Many years later, I was able to put my resolve to the test.
Present day. Once again, I’m back in Berlin, this time to finally see the Konzentrationslager. I’m on the S-Bahn train to Oranienburg. At each station, my mind goes back in time, to the tumultuous decades that preceded the 9th of November 1989, when people were able to cross the Wall. I’m thinking about the connection between my grandfather’s story and the convoluted menacing world order that came out of it.
When I finally cross the steel gate of Sachsenhausen, I realise how this whole story is about being a prisoner. Whether in a concentration camp, behind a wall, caught within propaganda or fearing a nuclear holocaust.
“The direct and immersive narrative allows history to speak for itself without being preachy or forced. The artist gives us a unique perspective of an outsider who manages to observe a great deal of pain without being directly subjected to it. Its themes are timely and human, and effortlessly connect with a modern audience. After 1989 is an immersive and interesting experiment in storytelling that will leave listeners meditating on its heavy themes.”Indie Berlin
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Management: Christopher Carvalho / Unlock Your Sound Ltd.