While working on a test project based on a video series by Cujo Sounds called ‘Setting up a AAA Wwise project’, I envisioned a method to speed up the process.
The software company announced their switch to a subscription-only business model, leaving behind a loyal user base of several decades.
Field recording is great fun, especially when done with a precise plan.
Explorer is a free audio application for managing sounds. Working with mono, stereo and surround, it can find, organize, edit and integrate files in a DAW.
In 12 months I’ve managed to revolutionize my workflow, twice. Part 3 of why I migrated to REAPER is about open architecture, development cycle, efficiency.
In 12 months I’ve managed to revolutionize my workflow, twice. Part 2 of why I migrated to REAPER is about customization, community, stock plug-ins.
In 12 months I’ve managed to revolutionize my workflow, twice. Part 1 of why I migrated to REAPER is about cost, multi-platform and a different workflow.
Sound effects, dialogue and music sync for the acclaimed show ‘Tom the Tow Truck’, part of the Car City series by Paris-based Amuse.
I transplanted a vocal performance from one song to a different one by manipulating pitch, formants and tempo. Plus, cleaning up historical speeches.
Painstakingly removing an insidious noise from a multi-track recording, plus various techniques for drum replacing and drum doubling.
As the audio team leader, I created and implemented sound effects and an adaptive soundtrack, bootstrapping the audio for the PlayStation2 video game ‘Ruff Trigger’.